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OrientCyan青藝術，以“青”為引，以東方為基，構建當代藝術中獨屬東方的色彩敘事。 青色，自青綠山水卷軸的層疊暈染，至青瓷冰紋的呼吸裂變，始終是東方文化中自然、生命與永恒的隱喻。 我們以這一抹跨越時空的色彩為原點，聚焦當代創作者對“青”的解構與新生——無論是水墨的虛實相生、陶藝的火煉重生，還是數位媒介的虛實交織，皆在空間中交融、共振。 作為“青”主題的策源地，OrientCyan青藝術致力於搭建傳統與當代的對話場域。 每一場展覽、每一件作品，皆以“青”為線索，探索東方哲學中的“天上人共生”“生生之韻”，同時回應全球化脉络下的文化身份。 這裡不僅是藝術展示的場域，更是東方精神當代轉譯的實驗室：我們以策展敘事、跨界共創、公共教育，讓“青”從色彩昇維為文化基因，讓世界聽見東方當代藝術中生生不息的呼吸。

藝術家與作品Artists & Artworks

隋宜航的作品以多元媒介重構認知維度，將科技理性與生態詩意編織成沉浸式思辨場域。 藝術家通過鏡面折疊時空，以金屬冷光與水墨氤氳的碰撞，叩問數位時代人類觀照世界的範式變遷； 纖維解構重組的裝置則如生命基因鏈，在裂變中隱喻文明與自然的共生張力。 展覽暗藏雙重隱喻：觀者既是數據洪流中的凝視主體，亦是鏡中倒影的被動客體。 當機械凝視遭遇自然生長，當精確計算碰撞混沌詩意，這場展覽終將成為一面照見當代人精神困境的棱鏡-一在科技加速主義與生態危機的夾縫中，為靈魂尋找棲息的座標。

隋宜航，解放軍藝術學院藝術碩士，中國美術家協會會員，中國工筆劃學會會員，中國建築學會壁畫專委會會員，北京油畫學會會員，中國文藝志願者協會會員，原革命军八一電影製片廠美術師。 現為北京絹彩工筆劃創作中心副主任、當代絹彩繪畫研究院院長。

OrientCyan Art takes Cyan as its core and Oriental aesthetics as its foundation, crafting a distinctive color narrative for contemporary Oriental art.

From the layered washes of green-and-blue landscape scrolls to the subtle crackles on celadon ware, cyan has long symbolized nature, life and eternity in Eastern culture. Rooted in this timeless hue, we explore how contemporary artists reinterpret and reinvent the spirit of cyan. Ink wash art, ceramic works forged by fire, and digital creations all converge and resonate within our space.

As a hub dedicated to the theme of cyan, OrientCyan Art fosters dialogue between tradition and modernity. Guided by the essence of cyan, our exhibitions and artworks delve into the Eastern philosophies of harmony between humanity and nature and the vitality of all living things, while addressing cultural identity in a globalized era.

More than an exhibition venue, we serve as a laboratory for reinterpreting the Eastern spirit for modern times. Through curated exhibitions, cross-disciplinary collaborations and public art education, we elevate cyan from a mere color to a profound cultural heritage, letting the world perceive the enduring vitality of contemporary Oriental art.

Sui Yihang employs diverse artistic media to reshape perception, weaving technological rationality and ecological poetry into an immersive realm for philosophical reflection.

Using mirrors to fold time and space, he juxtaposes the cool gleam of metal with the misty charm of traditional ink wash, probing how people perceive the world in the digital age. His fiber art installations, restructured and deconstructed like life gene chains, imply the interplay and coexistence of civilization and nature.

The exhibition carries dual metaphors: viewers stand as observers amid surging data, yet also become reflected figures caught in the mirrors. When mechanical vision meets natural growth, and precise calculation encounters boundless poetry, the show acts as a prism revealing the spiritual dilemmas of modern people. Amid the tide of technological acceleration and ecological challenges, it seeks a spiritual dwelling place for humanity.

Artist Profile

Sui Yihang

Master of Arts, PLA Art Academy

Member of China Artists Association

Member of China Fine Brushwork Painting Society

Member of Mural Art Committee, Architectural Society of China

Member of Beijing Oil Painting Society

Member of China Literary and Art Volunteers Association